Back from the land of aloha

October 26th, 2009

At last, I’m able to log into the admin page of this blog again, although I’m still unfortunately unable to post photos.

For a long time this site has just been giving me an error 404 message every time I tried to log in. So although I’d been itching to make some posts, I had been forbidden by the almighty computer somewhere out there. Anyway I’m here again, brimming with stories to tell.

I just came back last Friday from the land of aloha for the Hawaii IFF. It was an enjoyable and fruitful trip.

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24k competes again!

September 6th, 2009

Oh my goodness!!!

All the while since 24k was invited last July to the Hawaii Intl. Film Fest I figured that it was simply going to be part of the exhibition.

Today I got word that it was nominated for the Golden Orchid narrative feature award – the top prize at the festival!!! 24k is competing again! Yippeeeeyayeeeeeeey!!!!!

What’s more, they’re flying me over with free accommodations for 5 nights!

Oh happiness! Oh joy!!

Hawaiiiiiii here we come!

Hit the beach!

August 28th, 2009

Aloha!

24k will hit the beach as it screens at the Hawaii International Film Festival on October 15-25, 2009.

I’m eager to have the film screened there since a lot of Ilocanos migrated to those islands in the 1970s and 80s. I’m sure they’ll be happy to watch a film shot in their home province.

Thanks to Minette Ferrer, Anderson Le, and the Hawaii Int’l. Film Festival for this opportunity!

I’ve hit the beach myself and gone on vacation. Where else? In Ilocos Sur! (Haha can’t get enough of it.) At the Cabugao Beach Resort.

Cabugao Beach Resort

Cabugao Beach Resort

Not that I’m biased, but I do looove the place.

First of all, it’s beautiful, clean, quiet, and well-maintained. There aren’t people selling you all sorts of stuff on the beach. It’s the perfect place to relax and forget about how much money you spent shooting an indie film.

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Roll credits

July 31st, 2009

by ana agabin

gold-bars1

Cinemalaya is finally coming to a close — at least for me — today, with the final screening of 24k at the UP film center at 5pm.

It’s been a very interesting experience. I learned sooo much.

Again, I’m very thankful to everyone who watched our film, to everyone who makes Cinemalaya possible, to my cast and production team, my co-producer DV Savellano, my supportive family — Ted, Uyayi, and Ulan, my parents and siblings, my advisers, and all the other people who supported me and went on this journey with me.

I am humbled by, and most especially grateful to the Almighty up there whose hand was very much felt during the entire production of this film.

I’m happy that some members of my team, such as Diwa de Leon, my musical scorer, and Pao Orendain, my DOP who won for best cinematography at Cinemalaya, earned a lot of mileage (and thus more work opportunities) from doing this project. They certainly deserve it.

As I mentioned previously, I believe this will be the last time that I will ever do a low-budget independent film.

Many people think that I came to this decision because I got singed by the experience of producing and shooting 24k. The reason isn’t that superficial.

Filmmaking has its highs. I can understand why people go on and on making indie films, even though they don’t financially gain from it. Like treasure hunting, it’s the passion — the thrill of making a film and telling a story — that keeps them going.

Making 24k as my first feature affected me in a deeper way. Ironic really, because in the film, one of the messages I wanted to convey was to find what is truly 24-karat, what is truly valuable in one’s life. Yet, as I was in the process of making the film, I was neglecting precisely that which was really valuable to me.

Very recently, some events in my personal life further emphasized that point.

My family, most especially my two kids, Uyayi and Ulan, are my 24k. They are the most precious things in the world to me. If independent filmmaking — because of the sheer amount of work that I have to do myself — means that I will be figuratively away from them for months and months for every project, then I would be no different from the characters in my film.

I’m turning my back, going down the mountain, and going home — before it’s too late.

In other words… Hellooo prosperity! Welcome back!

Cinemalaya 2009 opening ceremony

July 18th, 2009

Despite the pouring rain, the lobby of the CCP main theater was packed last night for the opening ceremony of Cinemalaya 2009.

I can’t really say much about the program as we were stashed away in the south entrance of the CCP the whole time until it was time for us to go onstage.

When the time came, we were taken by a vintage beetle converted into a limousine to the main driveway of the CCP.

One by one, after showing our respective trailers, they announce our names. We step out of the limo, followed by cameras on CCTV while we walk to the entrance and onto the stage where we take a bow at the center amidst applause.

It reminded me of curtain call after a performance during my theater days. Oy. What a feeling.

Some of my fellow filmmakers were uneasy with the idea of the celebrity treatment — taking us by limo and putting us in the spotlight like that. They say it’s against the spirit of indie filmmaking. But I personally think that after all the effort that we put and all that we went through to make our films, we deserve it.

Cheers to sir Nes Jardin for his cool ideas and for making Cinemalaya a reality!

(L-R) filmmaker alvin yapan, CCP president nes jardin, ana agabin, alvin's producer alem ang

(L-R) filmmaker alvin yapan, CCP president nes jardin, ana agabin, alvin's producer alem ang

Touchdown

July 13th, 2009

Wow. It feels great to finally be finished.

I feel so light it’s like my feet don’t touch the earth. Haha. So just as the filmmaking makes a touchdown, here I am floating in mid-air.

It’s funny, up to the last minute, there still were some problems plaguing me. But I guess I was so beat up by the process that it was hardly an issue.

Ganun pala no. When you’re so used to facing problems, you tend to just take them in stride. A, may prublema ba? Okey. Solution… No more hype. No more freaking out.

As Nietzsche said, what doesn’t kill you will make you stronger.

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Cinemalaya presents…

July 4th, 2009

Oooh I’m so excited! I’m so close to the finish line.

Diwa is just making some minor adjustments and revisions in the music and it’s final. Ditoy Aguila who’s handling sound design now will be finished with it by Monday. Color grading is also scheduled to be finished on Monday.

My gulay! You cannot imagine how eager I am to put all the elements together!

Yesterday, I had my poster printed out and submitted to the CCP. The people at the media arts division pointed out that there was something missing. Walang pangalan ng Cinemalaya sa poster!

After reading the contract again, I realized I had an obligation to include their name in all publicity material – which i don’t mind at all.

So here we have the poster again. Tom slightly revised it as well, and I think it looks better.

poster-revised

See you all at Cinemalaya!

24k film trailer and official website

July 1st, 2009

We have a cool new official website!

Check out www.24kfilm.com

The website was generously set up by Edwin Casimero of Filipino Web Services.

We’ll add more scene photos, actor info, etc., when I’m finally done with the film. That should be soooon.

Edwin also helped upload our film trailer on Youtube, so here it is!

Thanks to Sheen Seeckts, Jamo Morales, and Kat Cabiladas for putting the trailer together!

Watch 24k!

June 30th, 2009

At last! We have a trailer already! I was so excited to upload it to Youtube. Unfortunately, for some reason an error always occurs when uploading. Argh! Gotta get some help from techies tomorrow.

We also finally have our poster design from Tom Estrera.

poster-final-small

With those two in order I can finally claim the fourth tranche from Cinemalaya. And Sharleen Tan, the Cinemalaya monitoring officer who’s in charge of making me kulit, can stop worrying about my not meeting the requirements. Hehe. All in due time.

The Cinemalaya Festival opens at the Cultural Center of the Philippines (CCP) on July 17. Screenings for my film are scheduled on

July 19, Sunday at 6:15pm – MKP Hall

July 21, Tuesday at 12:45pm – Tanghalang Huseng Batute

July 22, Wednesday at 9:00pm – T. Nicanor Abelardo (Main theater)

July 23, Thursday at 6:15pm – T. Huseng Batute

July 24, Friday at 9:00pm – MKP Hall

July 25, Saturday at 12:45pm – T. Nicanor Abelardo (Main theater)

July 26, Sunday at 3:30pm – Little theater

Find out what being a “certified treasure hunter” is all about.

Watch 24k!

Kuliglig

June 23rd, 2009

I have adjusted my body clock lately to work during the twilight hours. Parang taga call center. Part of the reason is because I’m working with two vampires who want instant feedback and comments on their work/queries because we are rushing post-production like anything. That would be my musical scorer Diwa de Leon, and my sound mixer Mark Villena.

We text each other at midnight, 3am, 5am, and expect instant replies.

I can’t blame them. I took me a long time to put together a decent cut of the film so the two couldn’t start right away with their work. Now they’re both working under pressure. Whatever pressure Cinemalaya puts on me, I pass it on to them. Hehehe. Read the rest of this entry »