Archive for the ‘cinemalaya’ Category

Roll credits

Friday, July 31st, 2009

by ana agabin

gold-bars1

Cinemalaya is finally coming to a close — at least for me — today, with the final screening of 24k at the UP film center at 5pm.

It’s been a very interesting experience. I learned sooo much.

Again, I’m very thankful to everyone who watched our film, to everyone who makes Cinemalaya possible, to my cast and production team, my co-producer DV Savellano, my supportive family — Ted, Uyayi, and Ulan, my parents and siblings, my advisers, and all the other people who supported me and went on this journey with me.

I am humbled by, and most especially grateful to the Almighty up there whose hand was very much felt during the entire production of this film.

I’m happy that some members of my team, such as Diwa de Leon, my musical scorer, and Pao Orendain, my DOP who won for best cinematography at Cinemalaya, earned a lot of mileage (and thus more work opportunities) from doing this project. They certainly deserve it.

As I mentioned previously, I believe this will be the last time that I will ever do a low-budget independent film.

Many people think that I came to this decision because I got singed by the experience of producing and shooting 24k. The reason isn’t that superficial.

Filmmaking has its highs. I can understand why people go on and on making indie films, even though they don’t financially gain from it. Like treasure hunting, it’s the passion — the thrill of making a film and telling a story — that keeps them going.

Making 24k as my first feature affected me in a deeper way. Ironic really, because in the film, one of the messages I wanted to convey was to find what is truly 24-karat, what is truly valuable in one’s life. Yet, as I was in the process of making the film, I was neglecting precisely that which was really valuable to me.

Very recently, some events in my personal life further emphasized that point.

My family, most especially my two kids, Uyayi and Ulan, are my 24k. They are the most precious things in the world to me. If independent filmmaking — because of the sheer amount of work that I have to do myself — means that I will be figuratively away from them for months and months for every project, then I would be no different from the characters in my film.

I’m turning my back, going down the mountain, and going home — before it’s too late.

In other words… Hellooo prosperity! Welcome back!

Cinemalaya 2009 opening ceremony

Saturday, July 18th, 2009

Despite the pouring rain, the lobby of the CCP main theater was packed last night for the opening ceremony of Cinemalaya 2009.

I can’t really say much about the program as we were stashed away in the south entrance of the CCP the whole time until it was time for us to go onstage.

When the time came, we were taken by a vintage beetle converted into a limousine to the main driveway of the CCP.

One by one, after showing our respective trailers, they announce our names. We step out of the limo, followed by cameras on CCTV while we walk to the entrance and onto the stage where we take a bow at the center amidst applause.

It reminded me of curtain call after a performance during my theater days. Oy. What a feeling.

Some of my fellow filmmakers were uneasy with the idea of the celebrity treatment — taking us by limo and putting us in the spotlight like that. They say it’s against the spirit of indie filmmaking. But I personally think that after all the effort that we put and all that we went through to make our films, we deserve it.

Cheers to sir Nes Jardin for his cool ideas and for making Cinemalaya a reality!

(L-R) filmmaker alvin yapan, CCP president nes jardin, ana agabin, alvin's producer alem ang

(L-R) filmmaker alvin yapan, CCP president nes jardin, ana agabin, alvin's producer alem ang

Touchdown

Monday, July 13th, 2009

Wow. It feels great to finally be finished.

I feel so light it’s like my feet don’t touch the earth. Haha. So just as the filmmaking makes a touchdown, here I am floating in mid-air.

It’s funny, up to the last minute, there still were some problems plaguing me. But I guess I was so beat up by the process that it was hardly an issue.

Ganun pala no. When you’re so used to facing problems, you tend to just take them in stride. A, may prublema ba? Okey. Solution… No more hype. No more freaking out.

As Nietzsche said, what doesn’t kill you will make you stronger.

(more…)

Cinemalaya presents…

Saturday, July 4th, 2009

Oooh I’m so excited! I’m so close to the finish line.

Diwa is just making some minor adjustments and revisions in the music and it’s final. Ditoy Aguila who’s handling sound design now will be finished with it by Monday. Color grading is also scheduled to be finished on Monday.

My gulay! You cannot imagine how eager I am to put all the elements together!

Yesterday, I had my poster printed out and submitted to the CCP. The people at the media arts division pointed out that there was something missing. Walang pangalan ng Cinemalaya sa poster!

After reading the contract again, I realized I had an obligation to include their name in all publicity material – which i don’t mind at all.

So here we have the poster again. Tom slightly revised it as well, and I think it looks better.

poster-revised

See you all at Cinemalaya!

Watch 24k!

Tuesday, June 30th, 2009

At last! We have a trailer already! I was so excited to upload it to Youtube. Unfortunately, for some reason an error always occurs when uploading. Argh! Gotta get some help from techies tomorrow.

We also finally have our poster design from Tom Estrera.

poster-final-small

With those two in order I can finally claim the fourth tranche from Cinemalaya. And Sharleen Tan, the Cinemalaya monitoring officer who’s in charge of making me kulit, can stop worrying about my not meeting the requirements. Hehe. All in due time.

The Cinemalaya Festival opens at the Cultural Center of the Philippines (CCP) on July 17. Screenings for my film are scheduled on

July 19, Sunday at 6:15pm – MKP Hall

July 21, Tuesday at 12:45pm – Tanghalang Huseng Batute

July 22, Wednesday at 9:00pm – T. Nicanor Abelardo (Main theater)

July 23, Thursday at 6:15pm – T. Huseng Batute

July 24, Friday at 9:00pm – MKP Hall

July 25, Saturday at 12:45pm – T. Nicanor Abelardo (Main theater)

July 26, Sunday at 3:30pm – Little theater

Find out what being a “certified treasure hunter” is all about.

Watch 24k!

Test party

Saturday, February 28th, 2009

I got feedback yesterday from Robbie Tan regarding our test shoot. He’s the head of the monitoring committee for Cinemalaya and the one who’s really nakatutok on what the 10 filmmakers are up to. He said that the result of the shoot was generally good. He nonetheless gave me a few comments and suggestions on how to improve. The main gist of it was to have a lot of coverage so that we would have enough footage to choose from during editing.

I have to admit, I initially thought the test shoot was a huge hassle. Especially since I found out about it only this February, when I was already planning a (more…)

Testing 1, 2, 3

Tuesday, February 24th, 2009

We are doing our test shoot for two sequences tomorrow already. I decided to shoot it really as a test, rather than shooting with the real actors in the real locations with (gulp) the real equipment.

So this is how we’re managing it…

We’re using the video equipment and lights of our production house, Eccena Inc. We’ll be editing there as well.

Edwin found us two theater actors who are game to play the parts of the lead and his wife, for a minimal fee. Edwin himself will play one of the parts.

Yesterday my sister, Liz, went searching for temporary locations for our test shoot. She found a couple in the vicinity of our mom’s house in Marikina. (Yey convenient!) I checked it out, and we decided on one that happens to be the house of another theater actor. (Small world.) The owners were happy to let us use it for a couple of hours.

Today, I’m meeting with Pao and Liz to talk about the logistics and the shots.

Unfortunately, our production designer won’t be able to join us tomorrow for the shoot. She’s got a lot on her hands, what with 2 Cinemalaya entries, and probably some rackets.

Oh well, the sequences are simple anyway. I was fortunately allowed to shoot just 2 sequences instead of 3 so hopefully it will be short and sweet.