Archive for the ‘News’ Category

Back from the land of aloha

Monday, October 26th, 2009

At last, I’m able to log into the admin page of this blog again, although I’m still unfortunately unable to post photos.

For a long time this site has just been giving me an error 404 message every time I tried to log in. So although I’d been itching to make some posts, I had been forbidden by the almighty computer somewhere out there. Anyway I’m here again, brimming with stories to tell.

I just came back last Friday from the land of aloha for the Hawaii IFF. It was an enjoyable and fruitful trip.

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24k competes again!

Sunday, September 6th, 2009

Oh my goodness!!!

All the while since 24k was invited last July to the Hawaii Intl. Film Fest I figured that it was simply going to be part of the exhibition.

Today I got word that it was nominated for the Golden Orchid narrative feature award – the top prize at the festival!!! 24k is competing again! Yippeeeeyayeeeeeeey!!!!!

What’s more, they’re flying me over with free accommodations for 5 nights!

Oh happiness! Oh joy!!

Hawaiiiiiii here we come!

Hit the beach!

Friday, August 28th, 2009

Aloha!

24k will hit the beach as it screens at the Hawaii International Film Festival on October 15-25, 2009.

I’m eager to have the film screened there since a lot of Ilocanos migrated to those islands in the 1970s and 80s. I’m sure they’ll be happy to watch a film shot in their home province.

Thanks to Minette Ferrer, Anderson Le, and the Hawaii Int’l. Film Festival for this opportunity!

I’ve hit the beach myself and gone on vacation. Where else? In Ilocos Sur! (Haha can’t get enough of it.) At the Cabugao Beach Resort.

Cabugao Beach Resort

Cabugao Beach Resort

Not that I’m biased, but I do looove the place.

First of all, it’s beautiful, clean, quiet, and well-maintained. There aren’t people selling you all sorts of stuff on the beach. It’s the perfect place to relax and forget about how much money you spent shooting an indie film.

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Roll credits

Friday, July 31st, 2009

by ana agabin

gold-bars1

Cinemalaya is finally coming to a close — at least for me — today, with the final screening of 24k at the UP film center at 5pm.

It’s been a very interesting experience. I learned sooo much.

Again, I’m very thankful to everyone who watched our film, to everyone who makes Cinemalaya possible, to my cast and production team, my co-producer DV Savellano, my supportive family — Ted, Uyayi, and Ulan, my parents and siblings, my advisers, and all the other people who supported me and went on this journey with me.

I am humbled by, and most especially grateful to the Almighty up there whose hand was very much felt during the entire production of this film.

I’m happy that some members of my team, such as Diwa de Leon, my musical scorer, and Pao Orendain, my DOP who won for best cinematography at Cinemalaya, earned a lot of mileage (and thus more work opportunities) from doing this project. They certainly deserve it.

As I mentioned previously, I believe this will be the last time that I will ever do a low-budget independent film.

Many people think that I came to this decision because I got singed by the experience of producing and shooting 24k. The reason isn’t that superficial.

Filmmaking has its highs. I can understand why people go on and on making indie films, even though they don’t financially gain from it. Like treasure hunting, it’s the passion — the thrill of making a film and telling a story — that keeps them going.

Making 24k as my first feature affected me in a deeper way. Ironic really, because in the film, one of the messages I wanted to convey was to find what is truly 24-karat, what is truly valuable in one’s life. Yet, as I was in the process of making the film, I was neglecting precisely that which was really valuable to me.

Very recently, some events in my personal life further emphasized that point.

My family, most especially my two kids, Uyayi and Ulan, are my 24k. They are the most precious things in the world to me. If independent filmmaking — because of the sheer amount of work that I have to do myself — means that I will be figuratively away from them for months and months for every project, then I would be no different from the characters in my film.

I’m turning my back, going down the mountain, and going home — before it’s too late.

In other words… Hellooo prosperity! Welcome back!

24k film trailer and official website

Wednesday, July 1st, 2009

We have a cool new official website!

Check out www.24kfilm.com

The website was generously set up by Edwin Casimero of Filipino Web Services.

We’ll add more scene photos, actor info, etc., when I’m finally done with the film. That should be soooon.

Edwin also helped upload our film trailer on Youtube, so here it is!

Thanks to Sheen Seeckts, Jamo Morales, and Kat Cabiladas for putting the trailer together!

Eto na naman

Thursday, May 14th, 2009

We’ve rescheduled our last 3 days of shoot on May 16-18 so I’m leaving for Ilocos Sur again early tomorrow morning.

We’re working with a number of interns from UP this time because some of my original staff are no longer available on our shooting dates. They seem so enthusiastic. I think I will enjoy working with them.

I’ve made a couple more changes in the script since last week. I’ve decided to rewrite and reshoot the scene with the medium. We’re going to do it in Ilocos as well. Hopefully I can finally capture it in a way that’s worthy of opening the film.

So there. My fingers are crossed. I hope everything works out smoothly.

Chan-hom

Wednesday, May 6th, 2009

I’m supposed to be in Suyo right now with my team to prepare for our shoot on May 7-9. But I’m still here in Manila posting on my blog. That’s because a storm named Chan-hom is forecast to be in Ilocos on exactly the same days as my shoot.

PAGASA satellite image as of May 6, 4pm

PAGASA satellite image as of 4pm on May 6

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Version 8

Thursday, April 30th, 2009

I assembled the footages we have and I’m so numb from watching them over and over I can’t seem to look at them objectively anymore.

Yesterday I asked my friend and script consultant, Bing, to watch the sequences and give his comments. I desperately needed advice on how to rework the material given the limited time and budget.

Bing gave me some helpful insights and comments which confirmed some of the things that I felt the film needed, but also confused me at the same time. Well, I thought, that’s what teachers are for — to muddle your mind so you’ll think even more. Haha.

Now I’m back in the proverbial drawing board to come up with 24k script version number 8, trying to work with the footages that I already have.

Now that I’ve experienced it, I tend to agree with Bing’s opinion on directing a film: it can be tough, but it’s still more difficult to write a good script.

Paging Jojit

Saturday, April 18th, 2009

Just when I was considering expanding Jojit’s role in the film, my PM tells me he hasn’t been responding for a week now to calls, text messages, emails, or facebook messages regarding the additional shooting days. I hope he’s alright.

I suddenly have to think of ways to remove his character from the rest of the sequences that haven’t been shot yet. My gulay!

Well, it’ll be hard, but not impossible. I’m sure there’s a good reason why he’s not responding, but I can’t take a chance on whether he’ll be available or not. I’ll probably spend the next week rewriting the script.

Maybe this is God’s way of telling me I don’t need those other sequences.

Wow. I hope this is the last major obstacle I’ll have to hurdle. I’ve had enough already.